Category Archives: music

How do people stay ahead of their demons?

Many people, to avoid thinking about painful or threatening things, keep themselves heroically, productively busy all day and go to bed exhausted.  They wake up early the next morning to work hard all day, every moment programmed down to the minute.  My father used to call this lifestyle “running a full flight pattern” and you can picture a harried, over-caffeinated air traffic controller doing the job of four, eyes darting constantly from the sky, to a computer screen, to the blinking dots on a wall map, to the sky, to the runways below, to his watch, to an open game of solitaire on another computer, to the coffee maker and so on.

Other people try to live in a more contemplative way, allowing time to think, feel, seek a little clarity in a world of chaos and senseless cruelty.  The usual example of a contemplative life is a monk in a monastery, though life in a monastery is highly programmed too.   I have always, from as far back as I can recall, preferred living an unharried life in this mercilessly harried world.  

I have to admit, I feel smugly superior to those running a full flight pattern, the coffee and cocaine achievers I’ve known, the exercise addicts, self-righteous compulsive workaholics of every stripe.  I am also compelled, of course, in this case in my disdain for the outer directed, those who march ahead according to the dictates of a brutal status quo keeping themselves constantly too busy to ever question the orders they are following or why they are running full tilt all the time.  

The most engaging part of a person is their inner life, what they are like when nobody is judging them.  To be allowed to see the vulnerable core of another person, to me, is the greatest gift a person can give you.  The trust and acceptance involved in this kind of sharing is, to me, the essence of love.

I am living in a fucking dream world, of course.  I spend an hour or two every day typing, putting my thoughts and feelings, and sometimes my dreams, in order, making them as clear as I can, to myself and to anyone who might stumble on them.  Even if you are well-paid to write, and I am not, man (or woman) does not live by writing alone.  It is a beautiful and indispensable thing, to be able to write clearly, but it is not something you can do all day.

Generally, when I am stressed I have always gone for a long walk, or a strenuous bike ride.  Or do some pushups, which always get my heart pounding and make me feel strong.  A brisk bit of exercise is a wonderful thing for calming the mind, getting some air flowing through the stuffy attic.  Currently I’m unable to walk more than a block or two, complications from knee replacement surgery almost a year ago.  Pushups lately are also off the menu, as the pain from my left synovium seems to have migrated up the entire left side of my body, into my left hand and left shoulder.  Physical exercise, an old standby, is not one of my stress relief options these days.

I always feel better when I spend an hour or two playing the guitar, or, in a pinch, the piano.  My left hand, while willing and able, is playing on borrowed time before the pain in the fingers make it impossible to continue.  The fingers get the unmistakable message in about five minutes.  Ordinarily, in my frustration, I’d throw myself on the ground and grunt out some push ups, but, currently, that would only lead to shoulder pain in addition to the hand and knee.

So what do we say about these constraints on a contemplative lifestyle?  I’m fucked, in a word.

Luckily for me, I have inner resources many do not.  Unluckily for me, you find the outer resources curtailed enough and your inner resources become overloaded. 

Then, in a word, you’re fucked.

Suffering is not a contest

You may have noticed that certain people treat suffering like a competitive sport.  There’s long been a senseless, passionate public debate, for example, about who had it worse:  

a) millions of people, over hundreds of years, kidnapped, sold, dragged in chains across the ocean, packed together like sardines, countless souls dying and thrown overboard to the sharks that always trailed such ships, the survivors sold into lives of unspeakable horror once they got to their new, eh, I suppose we call it “home”, or, 

b) millions of people, over a span of a few years, chosen by their religion, herded into disease-ridden slums for abuse and eventual collection to be taken by cattle car to camps where they could be killed en masse, the lucky survivors getting to work as slaves until they could work no more.

In a world that was not insane, you would have to be insane to argue about which atrocity was worse. Can any atrocity be worse than either one of those? And there are many other atrocities in history, and even in the present world, that are as bad as those two, particularly for the victims and survivors of those atrocities. 

But I’m not here today to write about politics. I’m thinking of something more personal, the suffering of people around us, the suffering of people in our lives.  if you are not a guitar player, or a violinist, or someone who uses one hand for a specific, skilled task, sharp pain and stiffness in your left hand, annoying and concerning as it may be, is not a reason for despair. If you play music every day, and it is one of your great comforts, and suddenly one of your hands is too stiff and painful to do that, fuck.

Humans look for comfort (all animals do, actually), we look for empathy, we look for help when we are in trouble. Not everyone is built that way of course, some take comfort only in feeling superior to others. In their citadel of desperate superiority there is little space for empathy and for helping anybody except for quid pro quo maintenance of the humble servants of their need to feel better than others.

When I come across one of these assholes, I have to remind myself of my vow to first do no harm.  To forget that is to become more like the thing I hate.

The need for validation vs. the need for good feedback

People with an insecure sense of self are outer-directed, they live their lives for the validation of the people around them. Since they felt belittled and neglected when they were too young to do anything but suffer, they take pains to look physically perfect, according to the fashion of the day, they seek praise, status, social position, awards from their peers. All these are part of a lifelong attempt to make themselves feel better, more valuable and worthier of love, than others. They live in a hierarchical world where some people are simply much more important than others, by virtue of working to earn their self-worth in an objectively quantifiable way.

They live in a win/lose competitive world where winners win and are admired by those around them for having the will and talent not to be losers. As far as I can see, that world is the destructive illusion of superficial idiots, but I have always been super-opinionated about things like the justness of rigid social hierarchies and those who conform to social systems without any real questions about their validity. I keep thinking of the billions of people this worldview consigns to inferior, permanent, inter-generational loser status simply as the way things are.

I have always felt a need for the useful feedback I almost never got as a child. What is different about my need for a response and the need for outer validation I’ve sketched above? In both cases we are looking for assurances about the good effect our words and actions have on others. Everyone likes a sincere compliment, it’s always gratifying to be spoken well of by others. In the case of validation-seeking, the thing sought is praise and admiration. That is different, to my mind, than seeking an intelligent critique of your work, sometimes your deeds.

A person writes to convey thoughts, ideas and feelings to others. Writing is an extension of the desire to have a good, mutual conversation, one of the great pleasures of being human, as far as I can see. There is really no better way to gauge how well a piece of writing achieves the goals you intend than by getting good notes from a reader. This feedback allows us to understand what is still unclear to others in our work, or objectionable, or feeble, or unconvincing, and to address ambiguity, sloppiness, or assuming the comprehensibility of complex things we have not sufficiently laid out the context for understanding. With those comments in mind we can fix those things and come closer to our aim. Comments we can mull over keep the conversation moving forward, which is integral to why we communicate in the first place. Silence by way of response is a real conversation stopper, to state the obvious.

Validation-seeking people tend to stay very busy, they are socially active, work hard, program their leisure time down to the minute, consult the clock for when it’s time to end the party and get eight hours of sleep to be up and at ’em full force the next morning. Their every waking effort goes toward earning the self-acceptance and self-admiration they can’t feel except as reflected back to them by others. Sitting quietly by themselves, unless they are exercising their abdominal muscles, burning calories or something useful like that, is unthinkably difficult for them. It is as if they literally can’t see themselves unless they are engaged with others who appreciate them.

Of course, I probably only feel this way because I’ve always spent most of my hours alone. One could make a decent argument that I like nothing better than the company of my own constantly rippling thoughts and ideas. I learned early to soothe myself this way when I felt ignored – learning to play music, drawing, writing, cooking. I am always happy to spend time with other people, or talk to them at length – and I need these contacts as much as anyone does, maybe more – but I also accept myself the way I am and have as much compassion for myself as I do toward anyone else I care about.

Am I a great guitar player or any kind of virtuoso? No, but I am the greatest guitar player I can be at the moment. It means a great deal to me to play every note as cleanly, purposefully and soulfully as I can, to learn new ways to play the same melody, new positions on the neck for chords and little tricks, to become a more fluent improviser. Most people don’t think of any of these things, like the many different ways to play the same note, which I think is a shame.

To those who focus almost entirely on what the outer world says about us, you are either a professional musician getting paid and recognized for your work or an amateur with a slightly obsessive hobby which is nice, but a bit vain, because what does it really say about a person if they waste hours a day playing Beatles tunes?

It would be marginally better to the validation-focused, perhaps, to play sophisticated, challenging jazz tunes, or the best of classical guitar, if they would even notice that difference in material. They’re often not even able to hear any of it very clearly because it is just – they don’t even know what the hell compels someone to do it. Beatles, jazz standards or classical — best, to me, is playing what you love best and can make sound the most beautiful, but, fuck, enough about me.

Belated Happy Birthday, Mom

My mother, Evelyn, who died thirteen years ago today, would have turned 95 years old yesterday. I had intended to write something touching about her, and started on this yesterday, but … shoot, sorry, mom.

I found myself sitting at the piano yesterday working out a song she used to sing, a popular ditty from the 1940s called Mairzy Doats. My father would be driving the car, we’d be on a longish trip somewhere, and suddenly my mother would burst into song, with only slight self-consciousness, imposed by her husband. He was also a good singer who’d soulfully croon a handful of notes, the hook of a beautiful ballad, and cut himself off after five or six syllables. My father was well-known for singing just enough to let you know that he could actually sing, but not a note more, and he was equally famous for inhibiting my mother’s singing.

Evelyn loved to sing and my father’s side-eye as he drove was not always enough to make her stop, though it did make her a little self conscious. Nonetheless, as we drove across some bridge she’d suddenly sing “Mairzy doats and dozy doats and little lamzy divey, a kiddleedivey too, wouldn’t you?”

Now all these years later, being a proficient guitar player finally, and surprised to find a certain facility on the keyboard lately, which helps me work out songs I’m trying to learn, I find Mairsy Doats is a pretty hip little tune to play, in a nostalgic, artfully written pop tune kind of way. The singer explains in the B part, “and though the words may sound queer to your ear, a little bit jumbled and jivey, say ‘mares eat oats and does eat oats and little lambs eat ivy.” And this B part, if I may say, I could play the hell out of this B part on the guitar, and it works out just fine on the keyboard, thank you.

And as I played and sang the song on the piano yesterday, with the sheet music from an actual paper song book, Songs of World War Two, which also, of course, had the lyrics, I called out “Happy Birthday, Mom!”

I thought to myself what a goddamn shame I couldn’t have played this simple, jumping accompaniment thirty or forty years ago and let my mom just sing it. Same with “Do Nothing till you Hear From Me” another genius tune from the genius Duke Ellington, my father would sing just that riff, with the opening line, the riff that Ellington placed over three different sets of chord changes to such brilliant effect. I could have backed both of them on a tenor ukulele, if things had been different.

But again, as in my mother’s actual life, my love and birthday greetings for her get mixed up in a lot of bullshit that has little or nothing to do with her.

It was my mother’s love, and, as I realize now, that she never gave me reason to doubt her love, that literally saved my life in the brutal war zone my sister and I were forced to grow up in. As I emailed the day before yesterday to a genius from high school (truly, one of only two I’ve ever met in this long life of mine):

Tomorrow I’ve got to write something sensitive about my mother, who’d be 95 tomorrow.  I’ve realized only very recently that in spite of [redacted] [redacted] [redacted] [redacted] she never let me doubt her love for me in that war zone I grew up in and in the end she always listened to me.  Even if I couldn’t change her mind, which I sometimes did, she always eventually heard me out — which is no small thing.  Probably saved my life, actually.

Thanks again, mom, for giving me life, and saving it time and again, by simply listening with an open mind and a loving heart.

❤️

Nuages

A beautiful, famous tune by a genius named Django Reinhardt.

Decided to try to do this lilting number as well as I possibly could. Needed to learn the slightly odd, genius form by heart, which I don’t always do, and learn the essential parts of the original arrangement, and then be able to play the melody over it comfortably enough, and in different positions, that I could start throwing the blues over it a little bit. This one’s much of the way there (after a solid couple of days playing it a lot) though not quite ready yet. But I thought it was worth a  listen.   If you get a third of the enjoyment listening that I had playing it, it will be well worth your minute and a half.

I hope you are well, and if not well, at least not too bad.