Infinite and Finite

In our finite world scarcity and competition for limited resources are facts of nature, taken for granted.   We are hard-pressed to see the world we live in except in terms of winning and losing.   Most drama in our world centers on the burning question of who will take the lion’s share and be safe in their home and property and who will starve or die young of preventable diseases or violence.    Most live anxiously in between, taking distraction and pleasure where they can, and there are people who will kill you for the money in your pocket.

Other things in this world are infinite and as precious as clean water.   Empathy is infinite, if allowed to flourish, and it saves lives.   The gift of being listened to, heard and understood, having someone take the time to understand — a sadly rare gift that costs nothing to give and is potentially infinite.  Imagine the pain and violence that could be spared, if a person on the edge of rage had only had someone to hear how much they were suffering and ready to give even a small comfort.

I heard a great radio interview a few weeks ago with a woman who worked in an office in a school.  A distraught maniac came into the school with an AK-47 and 500 rounds of ammo, ready to kill and then, as the maddening saying goes, “turn the gun on himself” or commit “suicide by police”.  She was the first person he encountered there, and she was in the midst of a day of great personal trouble already when he walked in.   She saw his agony and spoke to him kindly, told him he was loved, called him sweetie, assured him that his life was going to be better than it felt in this terrible moment.  She wound up calming him enough that he didn’t shoot anybody, didn’t turn the gun on himself.  

Many gun-toting maniacs who barge into schools are far past the point of hearing anything, the kindest words in the world will be cut off by their gun shots.  But her actions that day saved many lives, including her own.  They don’t make a movie about her, but she’s a greater hero than most that movies are written about. Antoinette Tuff is this hero’s name.  In looking her up just now I read that a few days ago they sentenced the 21 year-old with the AK-47, who shot at police before Tuff talked him down.   Looking at the photo of the beautiful Ms. Tuff, and reading about her hard life before her heroic moment, they might very well make a movie about her.   She has a book out now and is doing the interview circuit.

Also infinite, the violence rage produces.  It is as inevitable as the “fuck you” many in a hurry, or dealing with their own troubles with no time left, might feel reading something like this on some fool’s blahg.  Abstract bullshit with rose colored shades on, where is the actual content?  Oh, wait:  it’s better to be amazingly kind than to be a common fucking bastard, eh?  Deep.

Our minds create the world we live in, it is said.  The organ of mass media plays upon our senses, all the time, selling without rest, pulsating in our pockets, on a billion screens, it’s echoed by the crickets chirping in the darkness.  All of human genius is focused on perfecting this ever more incredibly sophisticated sales machine.  We cannot see our world without seeing the inevitable — war, competition, violence, hatred, revenge, infuriating piety.  Infuriating piety is as bad as the rest of the plagues, it’s maddening to listen to someone piously announce the difficult truth, presented with a pious idiot’s simple mindedness, leaving no room for discussion.  The certainty of pious people can be maddening, that’s understood.

Picture two kids and their prospects for a happy life and I’ll duck back behind the curtain.  One child, when she wakes afraid in the dark, has an adult who comes, puts a soft hand out, speaks quietly, listens and reassures. The other child wakes afraid in the dark and is met by an angry adult who waits for the child’s wailing to get out of control and then barges in snarling “you’d better shut up or I’ll give you something to really cry about!”  

That this goes as well for adults as for children is too self-evident to even try to show.  It is even more important for children, clearly, and for the future of life here.

Standing on the edge of the ditch

In a sense, my father, who once cried about the murders of our family but always denied its relevance to our lives, was right.   I never stood, nor did anyone I ever knew, on the edge of a ditch waiting for a murderer’s bullet.  Not when I was an eight year-old with a terrifying imagination and first learned of it did I actually stand on the edge of a ditch with the rest of the family waiting for the order to lie down and be shot.   Much less fifty years later when I am that much closer to my own natural end, after standing beside the open graves of loved ones many times now.  

To be truthful, these things happened thirteen years before I was even born.  I’ve never been machine gunned, or shot with even a small caliber gun, never been tied up with ropes or even been hungry for more than a few hours.  For crying out loud, I’ve never even been whipped in the face or beaten bloody.  My father took the manly stance that his dramatic young son was just sniveling, looking for pity in the echoes of the murder of our family back in some far away Ukrainian hellhole more than twenty years earlier.   Some of us never get over anything, it would seem.    

If I’d been a Black kid it would have been the fucking slave ships I’d have been whining about, the millions crowded below decks in airless holds, chained, driven insane, thrown to sharks if they grew too indignant.   Then I’d have been worked up about the hundreds of years when I could have been sold, whipped, sodomized like any flesh robot you could own.  It wouldn’t have soothed me to hear that life here for the former slaves was better after the Civil War, or that not millions, only thousands, of former slaves were ever beaten, raped or killed for being indignant.  And probably less than ten thousand, total, who were ever burned to death or hung from trees while crowds laughed and whooped and had picnics, sold body parts and photos as souvenirs.

My father would have said “for Christ’s sake, son, they put those Klansmen on trial in Mississippi for what they done to those boys down in Meriden.  The country is changing, for the better, it has changed a lot in your lifetime.”  It would have been peevish to tell him only one of the murderers of those Civil Rights workers would ever see the inside of a jail cell.  Or that sixty years after the Supreme Court ordered an end to segregation, schools would be as segregated as at the height of Jim Crow.  Hindsight, you know what they say about it.

“Is this really what you are thinking about at 4:36 a.m.?” asks a concerned voice.

“No, not at all.  I was thinking about this hours ago, but couldn’t shut off that great documentary about how they did the animated life of Graham Chapman I’d seen earlier…”

“Drawing again, I heard the scratching of your pens….”

“Yes, Sekhnet wandered in like a zombie, saw the animation on TV, looked at the drawings on the couch and said ‘Oh, God, he’s generating more papers…'”

“You can see her point.”

“Yes, I can certainly see her point.  These twenty thousand fucking drawings are a plague.  I do myself no favor drawing them.  But listen, do you mind if I get back to what I was thinking about?”

“Who are you asking?”

“Good point,” I say.

It was an accident of birth, and dumb good timing, to be born in a place and era when I was not forced to lie face down on top of dead bodies and wait for a bullet to end my life, as all of my grandparents’ families were.   Pure luck not to be living in a 2014 slum without sewers or any kind of toilets, where babies die by the truckloads from ragingly contagious excrement borne diseases that basic sanitation prevents.  Good fortune not be born in a place where children are dragged from their homes and forced to kill, or are ‘collateral damage’ statistics in drone attacks, or fated to live in neighborhoods where human predators attack, or if the criminals don’t get you the cops will.  A blessed accident of birth to be born wearing this face instead of one that invites real kicks and blows.   The kicks and blows I receive are gentle indeed compared to real ones.

“No hour is ever eternity, but it has its right to weep.” [1]  The pains we are given to deal with are painful enough for each of us, unbearable sometimes, though they’re not as painful as many more terrible things countless people are enduring at this very moment.  It doesn’t give us perspective, sadly, not to be standing on the edge of a ditch waiting for the order to fall in and be executed.  In a sense we are all standing on the edge of a ditch in a world where ditches for mass graves are dug all the time.

“Take this shovel, dig a hole deep as you want to be buried and stop crying and farting about it,” is about the worst thing any of us can hear.  In that childhood nightmare where Nazis in storm trooper uniforms were slicing through the screen of the back porch of our house to get at us I remember thinking “a lot of good those screens did” a second before I woke up with my heart pounding in terror.

That no idea, no matter how good or well-presented, can be sold in the marketplace of ideas without properly calculated marketing?  A female mosquito landing on your shoulder for a drink.  That unscripted candor has no place in a salesman’s pitch?  Please.  That’s as self-evident as the fact that all men are created equal and endowed by our creator with inalienable rights that may vary, according to circumstance, history and financial situation.    The world is just the world, although it is not always easy to keep perspective when the world is chanting something loudly and continuously enough to drown out all other thought.  

They were apparently banging drums and making a racket on the hill by the ravine to the north of Vishnevets those days in August 1943, to mask the cries and other sounds of the massacre.  The noise of the drums and lusty screaming, as you can imagine, was a fearful sound to the remaining ragged, starving citizens of Vishnevets, waiting their turn at the lip of the ravine.  

The world of competitive commerce and war constantly and insistently beats the drums, to drown out the silence that might lead to forgetting about the drumbeat of commerce and war and allowing people to recall matters of a deeper nature, to gain a more humane perspective.  

It’s possible, I suppose, that these two lusty drummings are only comparable in the mind of a madman.   Then again, many things in our world are the work of madmen.

 

 

[1] Zora Neale Hurston, Their Eyes Were Watching God

Animation by several creative adults

Animation created by several inventive women in four July 2014 sessions at the Creative Center, NYC.  Beautiful stuff.

with thanks to Django Reinhardt (1910-1953) (I’ll See You In My Dreams, Low Cotton– with Barney Bigard on clarinet) and Paul Greenstein (glistening glissentar on my track “Now Before I Go”)  Although this not for profit use is “fair use” I should get permissions from whoever currently owns the rights to Django’s genius…

On the Q46

Girl gets on the Q-46 bus
all teeth, yelling excitedly
into her pink cell phone
just loud jabbering to me
annoying shouted banalities
to the Spanish-speaking woman across the way
forced to take in every too loud word.

We’d exchanged annoyed looks
without moving our mouths
the girl is way in the back, mind you,
making a racket like a crazed bird or small primate

Finally the woman near me
calls back
“please lower your voice”
and the girl dials it from ten to eight.

Thankfully, she got off the bus
two stops later,
the bus moved quietly
toward the subway
as we unbent our brows.

At that point nobody was upset any more
that the air-conditioning wasn’t working
and the windows didn’t open.

Gratefulness out of the blue

On the way downtown, to do the animation workshop with a small group of women fighting chronic diseases:

Bellowing, barking, enraged
man paces short track on empty
uptown A platform
screaming and kicking

on the way down
I had to squeeze past
an oblivious young couple
blocking the stairs
with ten feet clear on either side
“excuse me,” I mumbled
not pausing as I passed
“YOU SHOULD SAY ‘EXCUSE ME”!”
the bellicose voice shouted after me
“I did,” I said
a moment before arriving
on the platform to see my train’s
tail lights
disappear into the tunnel

sat and struck up a tune
on the ukulele
man next to me, as soon as I paused,
went into a lusty falsetto improvisation
in another key entirely,
if any.

Zipped the uke back into its bag,
watched the screaming man
across the tracks
bark and dance to the duet
he was performing
with the falsetto singer.

Mercifully,
this super cool train
arrived within a moment
and I am grateful
for that
impersonal mercy.

Then, downtown, moments after my volunteer assistant cancelled at the last possible minute, and it seemed there would be only four of us (two more of the original 8 showed up late), to my great surprise, the five women made like a bunch of kids, working together and coming up with some very cool animation.  You can see it here (you might need dropbox to see it.  I’ll post it elsewhere soon):

adults playing like kids

 

Thoughts on the uptown A

Gratefulness –
most valuable
where it seems
least possible.
 
The simple math-
addition of all the 
justifcations needed
to explain an otherwise
inexplicable life,
a life as malaise,
misdirection,
drinking invisible Kool-Aid
feeling wise and profound
while others bucked
seeming desperate–
when the ledger is tallied
I would be a fool 
to regret
a single wrong turn
 
clutching to myself
unimpeachable good character
even if
at the moment
gratefulness is not something
I can wrap myself in.

A little more love for Florence

I wrote to thank Florence’s children and grandchildren for a wonderful and inspiring celebration of a remarkable and brilliant old friend.  I’d been moved and distracted yesterday, when I spoke briefly at the memorial, during one of the breaks in the string ensemble’s performance of some of Florence’s favorite pieces, and wanted to make sure to add these thoughts:

Florence was an inspiration to many people, and to me in particular.  Her embrace of every aspect of creativity, and her nurturing of creativity in others, had a deep influence on me.  Her gentleness, her wide-ranging intellect, her humor, her love of life and her art work exerted a subtle but strong transformational force.  I attribute much of the best of who I am today to her generous, kind, whimsical influence, and her love.
 
Her beloved little brother told me, under a gentle interrogation, that she took some piano lessons for a while but never got that far on the instrument.  Still, this most musical painter’s love of music, and understanding of the underlying geometry of Bach’s music, was so profound that she could effortlessly put a counterpoint melody in exactly the right place against and among the beats and notes in a two part rock guitar jam.  It delights me as much now, remembering it, as it did when she sang that invention in real time late one night in the living room on Aberdeen Road, not long before her 90th birthday.
 
It could be said that her art deserved to be more widely known, and that she should have had some measure of fame and financial security from her brilliant, deep and masterfully executed paintings and other works.  Though she would have no doubt liked those things, I don’t think it bothered her very much as she went about her life and work.   She had more substantial things on her mind.   As Russ pointed out (and as she described in that wonderful piece about the creative benefits she derived from smoking), all of her many interests and loves seemed to focus themselves more and more into that hard to describe source of light and life energy that emanated from and flowed into the center of many of her paintings and her octamandalagons.  I watched happily as the mysterious force that Russ described shone out of the images in the slide show, as her favorite music was beautifully played and she was present, smiling, in that room.
 
I wrote this shortly after she died, and I meant to share it as well:
 
 
and two links to Florence’s work and words
 

Another Dream

Saw my recently dead friend Melz in a dream last night.  In real life he died on January 2, defying the doctors who predicted he wouldn’t make it to New Years.

In the dream it was shortly before his death, but he was game to hang out with several of us.  All I recall is that he was sitting on the floor and drawing enthusiastically on a low table.  We were playing some kind of drawing game, I recall he drew a few vegetables.  His drawings were pretty good, his line very confident and fluid.  I don’t remember him ever drawing in life, but it wouldn’t surprise me to learn that the talented fellow could draw if he wanted to.

Sekhnet, who interprets dreams as intently as the old soothsayers used to read animal entrails for portents, might say this dream was a reminder, as I look around at the barnacled shore, littered with dried out sea life, that Melz would give anything to be alive now.   Melz, she might say, showed up to remind me how precious life is, and how sweet and full of surprises.

“You see!” she might say, with the excitement of a kindergarten teacher when one of her students first reads their name out loud, “even you realize the meaning of that dream.”

I will smile, and nod.  Although, to be truthful…

6-10-14

Happy Birthday, Mom

Today, if my mother was alive, she’d be 86 and in her 27th year of endometrial cancer.   That’s just bookkeeping, mere facts, a logical and stupid way to begin.

One year we flew to Florida on May 20th, Sekhnet and I, and rented a car at the airport.   We drove to my parents’ gated retirement community and somehow gained entrance without having the gate call the residents to verify that we were not smiling predators posing as children and coming to kill and rob the condo owners.

We arrived and parked at the far end of their parking lot, out of sight of their windows.   I dialed my parents as we walked up to the apartment and Sekhnet and I wished a hearty happy birthday and expressed our regrets that we couldn’t be there to celebrate in person.  Then we rang the doorbell.

“Goddamn it,” my mother said, with her ready Bronx attitude of frustration at an interruption, “somebody’s at the door….”

When she opened it we were standing there, phone in hand.

Her mouth popped wide open in the most comical expression of surprise you can imagine.   Although her mouth was open wide enough to swallow a small dog, she had a wry Bill Maherish smile around the edges of it, and in her eyes.  She looked for a moment like one of those nutcrackers in the shape of a person with the impossibly open lower jaw.   I can see that expression now, so can Sekhnet.

My mother began to laugh “you rats!” she said, hugging and kissing us.    My father appeared behind her, making humorous, sardonic remarks.   Ginger, a small poodle shaped like a football, began clicking her claws on the hard wood floor by the door.

All of them now long gone;  my father nine years, Ginger the same, my mother will be gone four years tomorrow.

I pause today to think of how proud my parents would be, even if terribly concerned about my long-term survival, to see the progress of my program, and my determination.   They would not be any more excited about the actual animation than anyone else is, but I think they would understand that their son, long struggling against a world of darkness, brutality and ignorance, has found a way to bring the things he values most into the lives of children who get very little chance to ever experience these things.   I think my mother would be proud, and excited for the possibilities immediately before me, now that I have proved the success of this program with perhaps 100 kids in four or five different settings.  

Even if she didn’t have much faith in my prospects for the future, she would listen willing to be convinced that I have already done much of the hard work to produce something amazing.   “Elie, you’re not curing cancer, but this is pretty good,” she might agree, when I was done persuading her of the great value of what I am doing and how much satisfaction it brings me, in the midst of the fearfulness of this wholly invented, marvelous and scarily shaky vehicle I am dragging around with me.

Happy birthday, Mom.