Hard Boiled

I work alone.   I don’t flinch when somebody takes a swing at me, they don’t often connect.  I live largely in my head, except when I am carrying out projects with elementary school kids.  These projects are now a small forest of trees, but not bearing fruit yet.   It will be a colorful orchard and many smiling guests will visit, happy faces smeared with fruit, or it will be a scary, dark, wild place people sometimes glimpse from low flying airplanes.

The point is, you can’t shake me.   I know who I am, I know who you are.  If I have vowed not to fight it doesn’t mean I am not still strong.

Here’s the thing, though.  Maintaining a mild disposition is only one part of the equation, apparently.  The other half is some scary math, 152/88 in the blood pressure monitor.  The doctor turned pale as he got the reading, told me to take a few slow deep breaths.  My blood pressure had never been nearly this high.  The second reading was the same, my own readings since have been worse.

Being hard boiled, you know, a good thing and a bad thing.  Now I have to view this as a wake-up call.  Climbing 50 flights of steps a day, walking five miles a day, riding the bike, these things won’t help me unless I also lose ten pounds and start sleeping more.  The old friend who wondered how I sleep with the ridiculous pressure on me to succeed in an unlikely undertaking was a prophet.   I assured her I slept fine.  But her concern was a wake-up call, how can I have restful sleep with no money coming in?  So my sleep is more often than not sporadic.

“What the hell is this?” asks an irate client, already waiting four hours in my waiting room where the clients are stacked like cord wood, “your stinking diary?”

I have learned to not answer rhetorical questions from angry people who are likely imaginary.

I have a friend with a charming, brutal mother.  He’s got kids of his own, is a highly responsible and well-respected man who performs heroic services for people in need. Because his mother is brutal as well as charming, her propensity to lash out with a hard slap cancels her charm completely for him, understandably.  There’s nothing funny about her otherwise humorous throw away line after the slap, if your face is stinging and you’ve done nothing to earn the red hand mark on your face.  His success in dealing with her is that he stews for a much shorter time after spending a few hours helping her out.

Like my mask of mildness, and my soaring blood pressure, my friend’s success is laudable but ultimately minor.  Once I understood the atrocities my father had experienced as an infant, all through childhood, I was no longer confused as to why he was a monster.  The only question is why he wasn’t somehow even worse.  Not to say he wasn’t bad enough, thank you, but he could have vented in even more destructive ways.  Not to say he wasn’t wonderfully destructive.

I imagine my friend sitting down with his mother and smoking a peace pipe.  I imagine being there, filling the bowl, puffing once or twice to keep it lit.  Picture this charming woman with the dark sense of cruelty-tinged humor, getting real laughs out of her son.  Feel the relief of the child, to finally be able to see his mother as something more than a rash creature to be angry at.

“You seem a bit off your game today,” says one of my 43,000 followers.

True.  It’s probably just the silent killer, stalking me, getting ready to turn a vise in my chest.  I’d better eat another plum and take a long, slow walk.

Who are these people?

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Creativity

You may not consider creativity very important, but think of a world without it.  No music, comedy, repartee, great food, no movies, books or even articles, no television worth watching, no mischief, nothing worth laughing at, no cause for that deep cry that is lurking always.

Creativity is mandated by educational bureaucrats nowadays as a possible remedy for the torpor of failing school children poised to leave schools in record numbers.  We now hear terms like “critical thinking”, “higher order thinking” and “problem-solving” bandied by these dead souls.  All of these involve creativity– you have to imagine possibilities that are not in front of you and then imagine where those possibilities will lead.

The kind of creativity I love involves a certain amount of spontaneity.  It is play.  John Cleese captures a great deal about the conditions necessary for it here.  The five factors he talks about are:  place, time, time, confidence and humor.   If you are too serious your fingers are stiff, you will not play fluidly unless you surrender to the joyfulness of playing.  Singers often smile as they sing, it helps to relax the face and vocal chords.

For young children, who are naturally creative when given the slightest chance to be,  I’ve reduced the formula to this:

Have fun and help each other.

You can’t have fun if people are bothering you.  Don’t bother anyone.  If you can’t help, don’t hurt.

When it’s time to be quiet, be quiet for a minute or two.

Cleese locates the creativity, you need a space to do it.  How about a room filled with art materials and a camera stand to shoot frames?  With a recorder to make soundtracks and a computer to assemble the animations.

Cleese discusses the importance of a time set aside, a time with a beginning and an end, ideally about two hours later.   He points out that it takes up to a half hour to leave the pressures of life outside and begin to play.  With luck you will play 90 minutes or so.  Then play must end, as play always does, because it doesn’t feel like play forever.   This is exactly what happens in the animation workshop.  For ninety minutes the kids have all the time in the world.

The other aspect of time is patience, taking your time, having a block of time you can use for play or to dream up ideas for play.  You cannot be creative while watching the clock, just like you can’t productively meditate keeping an eye on time.  You have to let things develop in their time, comfortable with not much happening sometimes.  Asked what she liked best about the workshop, the Idea Girl said “it gives you plenty of time”.    

Confidence is necessary, because if you think you can’t dance, or sing, or draw, or animate, you probably won’t be able to.   What gives a person confidence?  Another one smiling and giving a thumbs up when the idea is presented.   What takes away confidence?  A logical asshole positing failure as a real possibility at every stage of an undertaking.  There is no shortage of such superior, logical creativity underminers.  They believe they are speaking the truth and this gives them license to piss on things they have no insight into.

The last part, humor, well, what can we say about that poop?  A laff clears the mind, and it can come from many places.  I try not to laugh as I picture the horror on the seven year-old’s face, and it is kind of disgusting, in a way, but the favorite moment of a prolific young animator?   “That time I farted in Max’s face,” and I nod, with the faintest smile, and try not to chuckle at the recollection of it.   This is called sound pedagogy.

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Do the math

Intelligent
Strong sense of fairness
Sense of humor
Musical inventiveness
Conscious gentleness
Ability to express self
Decent listener
Love of spontaneity
Fairly robust constitution
Decent people skills
Good coordination
Patience

Generosity 
Talent for presenting ideas
Introspective
Conscientious
Considerate                       
_____________________
Tragic fucking case

The best laid plans

I had an assistant who is a performance artist.   A bright young man who graduated from a prestigious art school, I’d pinned some hopes on him going forward.  I was hoping he’d help me bring the program to the next stage, help me expand to new venues, possibly run a workshop himself.

It disappointed me that he never replied to any of the short emails I sent him.   I’d send him a promo, or a pitch, and there would be silence.  He worked well in the workshop, and I paid him $40 for what looked like a good time, and towards future work together.

I thought to take him aside at the last session and hit him with a quick hypothetical:

You’re doing a show, and several friends are in the house, and at the end there is no applause, only silence.  Afterwards you ask your friends why they didn’t applaud and they say, impatiently “we all know how talented you are, the show was great, why do you need our validation?”

I thought it would be a good way to make him hip to the sorrow of that persistent silence.

He had the last word, though; he never showed up for the final session.  Nor did I get so much as a tweet from him.

I guess he really wasn’t the guy I was looking for.

Moving the chains

Football as a metaphor for life– smash mouth, knee to groin refs don’t see, rain, mud, sleet, hail, hostile or indifferent crowd.  Moving the chains, trying for the first down, fourth and four, a ridiculous gamble if it backfires.   Now the wet grass is ice, now it’s quicksand.  Slowed down footage of the run, the hit, water flying in a shower of frozen droplets at jaw shuddering contact.  Broken rib, the knees hitting the frozen field, we have…. they’re trotting on with the chains to measure and… short by two feet.   Better luck next time.